Download and install shareit. Fancy watching 'Love Me' in the comfort of your own home? Tracking down a streaming service to buy, rent, download, or view the Rick Bota-directed movie via subscription can be tricky, so we here at Moviefone want to take the pressure off.
Read on for a listing of streaming and cable services - including rental, purchase, and subscription options - along with the availability of 'Love Me' on each platform. Now, before we get into all the details of how you can watch 'Love Me' right now, here are some details about the Aircraft Pictures thriller flick.
Released 2012, 'Love Me' stars Lindsey Shaw, Jamie Johnston, Jean-Luc Bilodeau, Kaitlyn Leeb The PG-13 movie has a runtime of about 1 hr 37 min, and received a score of (out of 100) on Metacritic, which put together reviews from respected critics.
You probably already know what the movie's about, but just in case.. Here's the plot: 'A teen (Lindsey Shaw) begins a romance with a new student (Jamie Johnston) who becomes a suspect in the disappearance of a girl (Kristina Elliott).'
'Love Me' is currently available to rent, purchase, or stream via subscription on VUDU, iTunes Store, Amazon.com, and YouTube .
The affection that Bond films inspire seems in no way connected to considerations of their actual quality: who, honestly, would voluntarily re-watch any of them other than slumped wearily in front of the TV on Christmas Day? That, presumably, is why they seem so linked to time and place: like Peter Bradshaw, I remember gawping saucer-eyed at this, my first big-screen Bond, as an 11-year-old: it seemed, as for Peter, to have issued from a world of impossibly grown-up glamour and excitement.
Rather weirdly, I realise I may have sat in exactly the same seat as Peter, a few years later. I too saw my first Bond at the Classic cinema in Hendon Central; while Peter, it turns out, was a tourist (visiting his auntie), I grew up there, at the end of the M1. In retrospect, the cavernous, sticky-carpeted suburban picture house – emphatically not one of those lovable art deco palaces, but a gloomy place filled with ratty kids and popcorn-hurling teenagers – was arguably emblematic Bond territory, where England's roiling petit-bourgeoisie nursed their aspirations and worked on their dreams. (Even more symbolically, the place is now a gym.)
At the time, the film certainly made an impression. Everything about Bond movies – from Barbara Bach's cheekbones to the underwater harpoon battles – seems calibrated to appeal to the adolescent. Now older and wiser, I like the self-parody that Roger Moore brought to the role; I always found the 'serious' Bonds – Connery, Lazenby, Dalton – out of kilter with the hyper-absurd environments they were anchored in. Even more astonishing, perhaps, was the social context: 1977 was the year of the silver jubilee and punk, Britain fractured and filled with self-hate. This smirking Bond was fully at ease with its own lameness: he couldn't be serious because no one would take him seriously. In this, Moore was the perfect Bond at the perfect time; and almost entirely antithetical to the spirit of Fleming's original. Instead, The Spy Who Loved Me exemplifies Britain's conflicted internal battles: a nagging patriotism (that, ironically, pointed forward to the Thatcher years) alongside a smuttiness that might have been lifted from the sex comedies that, other than Bond itself, were pretty much keeping British cinema afloat.
No doubt this was helped by the fact that The Spy Who Loved Me was forced to entirely ditch the written source after Fleming simply sold rights to the title; this tenuous relationship with the novels became the norm as the film-makers ran through the Fleming-originated supply. The original was a sliver of a novella, barely featuring Bond at all, and told from the point of view of a Canadian motel employee with whom he has a brusque one-night stand. The movie Spy Who Loved Me is Thunderball-plus: a Blofeld-esque villain (played by Curt Jürgens) with a world-destroying scheme to turn US and Soviet nuclear subs on their respective countries, and a detente-influenced love match between Bond and his Russian opposite number, Anya Amasova.
Perhaps 007 movies should stay locked in the minds of impressionable adolescents. (I mean, Steve Coogan has pretty much eviscerated any actual adult appreciation of them.) Having just dug The Spy Who Loved Me out on DVD, I am forced to report that it's as unwatchable as every other Bond film. They're always far, far too long, hamstrung by idiotically convoluted plots, defeated by wooden acting and elephantine dialogue, suffused by nauseating levels of sexism, and never as pummellingly exhilarating as they persuade themselves they are. I don't think there's any other film series, that I've felt compelled to watch every instalment of, but come away so dispirited.
And yet, and yet: Bond has definitely got something. How else could it be a franchise that can materially affect the stock price of its producing studios. It's best, I suspect, to concentrate on the things Bond does well, and The Spy Who Loved Me has a full share. The union flag parachute stunt at the start – even if it's so beloved of the Loaded generation – is still a knockout gag, audacious and funny. The Carly Simon theme song is great; channelling the lounge-bar spirit of early Bond that would be extinguished by the mid-80s when the producers tried to get hip with Duran Duran and A-ha. Minecraft windows 10 edition free full game. The car – yes, that car – is a thing of beauty, both aesthetically and technically; you don't have to be James May to appreciate it. Moore's tight little smiles and independently-cocking eyebrows are deployed to amusing effect, when he is called on to do a bit of acting (as opposed to glumly filling out a naval uniform and/or safari suit, or joylessly locking lips with the nearest bit of skirt). Richard Kiel's metal-gummed villain Jaws is an inspired creation, up there in the hench-league with Oddjob and Nick Nack. Production designer Ken Adam really let rip on Stromberg's submersible lair.
In the end, The Spy Who Loved Me's real strength is that it's pure cheese – full fat, 100% proof – and knows it, but never makes the mistake of trying to outsmart itself. Unlike later editions, it doesn't try too hard to undermine proceedings. (That Moonraker ending .. wha??). Current Bonds are desperately trying to play catch-up with the incarnation of the 100bpm action thriller, but Spy led the way in its own time, at its own pace. In Bond terms, it's kind of a miracle.
Rather than stick you all alone with a browser-jarring PDF file, the PDF Download extension provides you the option to: download the file locally, open it with Firefox using the PDF download options settings, view the PDF as an HTML file in the browser, bypass PDF Download, or cancel the link. Download gratis aplikasi pdf. This simple little extension gives you complete control over PDF files in a Toolbar button. The first two options are self-explanatory, while the 'view as HTML' feature works a bit like Google's version of the feature, speeding load times while largely abandoning formatting. The problem with opening PDF files in Firefox is that it tends to slow down your performance, especially if you open several of them.
Best line: Stromberg, after blowing up the helicopter containing two scientists to whom he's just promised $10m each: 'Cancel transfer of 20 million dollars.'
Love Me Movie 2012 Wikipedia
Best gadget: The Lotus wins at a walk. The evil lift poised over the shark tank a distant second.
Love Me may refer to:
Albums[edit]
- Love Me (Danson Tang album) (2007)
- Love Me (J Peezy album) (2008)
- Love Me (Lee Jung Hyun album) (2008)
Songs[edit]
- 'Love Me' (112 song) (1998)
- 'Love Me' (The 1975 song) (2015)
- 'Love Me' (Bee Gees song) (1976), popularized by Yvonne Elliman (1976)
- 'Love Me' (Justin Bieber song) (2009)
- 'Love Me' (Leiber/Stoller song) (1954), popularized by Elvis Presley (1956)
- 'Love Me' (Lena Meyer-Landrut song) (2010)
- 'Love Me' (Stooshe song) (2012)
- 'Love Me' (Lil Wayne song) (2013)
- 'Love Me' (Tracie Spencer song) (1992)
- 'Love, Me', a song by Collin Raye (1991)
- 'Love Me', a song by Bow Wow Wow from When the Going Gets Tough, the Tough Get Going (1983)
- 'Love Me', a song by Buddy Holly (1958)
- 'Love Me', a song by Diana Ross from Last Time I Saw Him (1973)
- 'Love Me', a song by Eminem featuring Obie Trice and 50 Cent from 8 Mile: Music from and Inspired by the Motion Picture (2002)
- 'Love Me', a song by Fats Domino (1954)
- 'Love Me', a song by Katy Perry from Prism (2013)
- 'Love Me', a song by The Phantom (Jerry Lott) (1960)
- 'Love Me', a song by Jess Glynne from I Cry When I Laugh (2015)
Film[edit]
- Love Me!, a 1986 Swedish film
- Love Me (1918 film), a film starring Dorothy Dalton
- Love Me (1942 film), a German film directed by Harald Braun
- Love Me (2000 film), a French film directed by Laetitia Masson
- Love Me (2012 film), a film featuring Jean-Luc Bilodeau
Literature[edit]
- Love Me, a 2003 novel by Garrison Keillor
See also[edit]
- You Love Me, by the Meat Puppets (1999)
- 'You Love Me', a song by Kelly Clarkson from Stronger (2011)
- 'I Love Me', a song by Meghan Trainor from Thank You (2016)
I Love Me | |
---|---|
Directed by | B. Unnikrishnan |
Produced by | Vyshakh Rajan |
Written by | Sethu |
Starring | Asif Ali Unni Mukundan Anoop Menon Isha Talwar Kadambari Jethwani |
Music by | Deepak Dev |
Cinematography | Satheesh Kurup |
Edited by | K. M. Shameer |
Distributed by | Vyshaka Cinema |
Release date | |
Country | India |
Language | Malayalam |
I Love Me is a 2012 Indian Malayalamthriller film directed by B. Unnikrishnan and written by Sethu.[1] It stars Unni Mukundan, Asif Ali, Isha Talwar, with Anoop Menon and Kadambari Jethwani in supporting role. The film was shot in Vietnam, Bangkok and Kochi and was produced by Vaishak Rajan under the banner Vyshakha Cinemas. The film features a score and soundtrack composed by Deepak Dev. It was for the first time B. Unnikrishnan directs a film that has not been scripted by him.[2]
Plot[edit]
Ram Mohan (Anoop Menon), a high-profile businessman, brings two criminals - Xavi (Unni Mukundan) and Prem (Asif Ali) - from Kochi to Bangkok to kill a person, so that Ram can save his sinking business empire. The situation gets complicated when Samantha (Isha Talwar) enters the equation.
Cast[edit]
- Unni Mukundan as Xavi
- Asif Ali as Prem
- Anoop Menon as Ram Mohan
- Isha Talwar as Samantha
- Kadambari Jethwani as Susan
- Rupa Manjari as Sameera
- Tovino Thomas as Albert
- Sinosh Ekkilissery as Unni
Production[edit]
The film was scripted by Sethu and directed by B. Unnikrishnan; this is the first film he has directed a film he has not scripted. Explaining the reasons for his decision, he says: 'That is because I enjoyed the story that Sethu narrated to me. Moreover, I was looking for an opportunity to work with young actors and this script seemed just right for such an outing. Writing and directing can be tedious and time-consuming and I wanted to take a break from the responsibility of doing both.'[2] The film was shot in Vietnam, Bangkok, and Kochi.[2]
Reception[edit]
Veeyen of Nowrunning.com gave the film a negative rating of 2/5 and stated, 'at a time when novel themes and experiments are filling our screens, this one just doesn't impress'.[3]
2012 Love Movies
References[edit]
- ^Nayar, Parvathy S (6 December 2012). 'This Christmas Mammooty, Mohanlal films to battle at BO'. The Times of India. Retrieved 16 December 2012.
- ^ abcVijay George; P. K. Ajith Kumar; Saraswathy Nagarajan (20 December 2012). 'Stars at the marquee'. The Hindu. Retrieved 20 December 2012.
- ^'I Love Me Review - Nowrunning.com'.
External links[edit]
Love Me 2012 Movie Rating
- I Love Me on IMDb